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Elwyn Richardson: Lessons to be learned (05)
Richardson is distinctive in the clarity of his understanding of the main aim, that is - to get children to write with sincerity, which, of course means that he must be able to recognise sincerity of expression when it has occurred, and to know when it hasn't.... more
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Elwyn Richardson: Lessons to be learned (06)
In this posting, the attention is on techniques within writing to lift the quality of that writing.... more
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Elwyn Richardson: Lessons to be learned (07)
Social studies, nature study, and to some extent mathematics, were largely grist to Richardson's creative expression mill.... more
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Elwyn Richardson: Lessons to be learned (08)
In the introduction to these postings I described Richardson's other major production - 'Into the Further World' - as derivative, and his minor publications as repetitive, and lacking in discipline and clarity.... more
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Elwyn Richardson: Lessons to be learned (09)
I do not have all of Richardson’s minor publications, but I am confident I have sufficient to catch the tenor of what, in his later career, he was saying about education, and his attitudes toward education in the past, present and future, and any light he was casting on writings in ‘In the Early World’.... more
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Elwyn Richardson: Lessons to be learned (10)
Richardson saw himself as a man alone, misunderstood and unappreciated. This view of himself was evident at Oruaiti and became stronger as the years went on, as did the bitterness that accompanied it.... more
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Elwyn Richardson: Lessons to be learned (11)
Richardson's work with clay at Oruaiti has been kept for the final posting. I wanted to end on a positive note, returning to his inspirational teaching at the small Northland School.... more
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An Anzac Story, also all the other resources
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